The Fourth Dimension: A Poetry Reading

Join as we celebrate the attempts of Picasso and his contemporaries to represent the fourth dimension in their work, where all aspects of our three-dimensional universe are experienced simultaneously: inside, outside, above and below all at once. The evening will include readings of new and original work as well as fresh translations of Picasso’s friend, poet and art critic Guillaume Apollinaire.

This event is part of our Thursday Nights @ the Museum series. Join us every Thursday from Jan. 23 – May 1 for concerts, films, and free talks in the Longmont Museum’s Stewart Auditorium.

Learn more about our other Thursday Night programs. 

The Museum galleries are also open late on Thursday nights. Explore the Picasso exhibit with extra hours from 5 – 9 pm before your program.

Eric Baus is the author of five books of poetry: How I Became a Hum (Octopus Books, 2020) The Tranquilized Tongue, (City Lights 2014), Scared Text, winner of the Colorado Prize for Poetry (Center for Literary Publishing, 2011), Tuned Droves (Octopus Books, 2009), and The To Sound, winner of the Verse Prize (Wave Books, 2004). He is also the author of several chapbooks, most recently The Rain Of The Ice (Above/Ground Press 2014) and Euphorbia (Above/Ground Press 2019). His poems have been translated into French, Spanish, Italian, and Finnish. He is a graduate of the PhD program in Literature and Creative Writing at the University of Denver as well as the MFA program for poets and writers at the University of Massachusetts at Amherst. He teaches literature and creative writing at Regis University’s Mile High MFA program in Denver, which he co-directs with poet Andrea Rexilius.

Born and raised in Cambridge, Massachusetts, Julie Carr lives in Denver. She is the author of fifteen books of poetry and prose. Her poems and essays have appeared in journals such as The Nation, Boston Review, APR, New American Writing, Denver Quarterly, Volt, A Public Space, 1913, The Baffler and elsewhere. Her work has appeared in several anthologies, including: The Best American Poetry (Sribner); Not for Mothers Only (Fence Books); Poets on Teaching (University of Iowa Press); Postmodern American Poetry: A Norton Anthology (W.W. Norton); Lit from Inside: 40 Years of Poetry from Alice James Books; and &NOW Awards 2: The Best Innovative Writing 2013, The Force of What’s Possible: Writers on Accessibility & the Avant-Garde (Nightboat Books), Family Resemblance: An Anthology and Exploration of Eight Hybrid Literary Genres (Rose Metal Press), The Volta Book of Poets (Sidebrow Books) among others. Honors and awards include The Sawtooth Poetry Award, A National Poetry Series selection, and a National Endowment for the Arts Fellowship (2010-2011). A former dancer, she now collaborates regularly with dance-artist K.J. Holmes, and has created collaborative works with many other artists, dancers, and filmmakers. With Tim Roberts she helps run Counterpath, an independent literary press and a bookstore/gallery/performance space/community garden in Denver. She is a Professor at the University of Colorado in Boulder in the Department of English where she teaches courses in poetry and poetics from the eighteenth century to the present.

Jennifer Pap, associate professor of French at the University of Denver, centers her research around 20th and 21st century French poets such as Guillaume Apollinaire, René Char, Francis Ponge, Dominique Fourcade, and Leslie Kaplan. In collaboration with Julie Carr, she has translated Apollinaire’s Alcools as well as Kaplan’s L’excès-l’usine.